While he occasionally brought out a Gibson SG or black Les Paul, this ES-335 defined his sound in the early 1970s. Mickey Hart. Bob Weir. Request a custom instrument. Phil Lesh, from the Grateful Dead checks out the Pigtronix Echolution. Phil Lesh's Modulus bass guitar. The Mockingbird Foundation. Contact. Phil briefly started out playing a Gibson EB-0, but eventually switched to a Fender Jazz Bass in 1968. Jerry Garcia. The original line-up of Jerry Garcia (guitar, vocals), Bob Weir (guitar, vocals), Phil Lesh (bass, vocals), Bill Kreutzmann (drums), and Ron McKernan (keys) was still finding its stride. When the band first formed in 1965 and played their first shows at Ken Kesey's Acid Tests (fueled by their eventual sound engineer and LSD distributor Owsley Stanley), their stage setup was a far cry from their eventual stadium-filling Wall Of Sound. For amplification, Phil mainly relied on McIntosh amplifiers, using a tube-based 3500 model before switching to a solid state 2300 model. Lesh's lines took on the walking flow of a jazz bassist or the right-hand counterpoint of a classical pianist, often meandering in a "lead bass" fashion during extended improvisations. Tom Constanten. Rob: Phil’s tech would get his bass together before we would do the sound check, and when the tech's playing, the rig sounded okay, but as soon as Phil steps on stage it’s like whaaaahow! (“Later,” Casady told Anthony Jackson and Chris Jisi in a 1993 Bass Player interview, “I admired many of my peers — Phil Lesh, of course, John Entwistle, Paul McCartney, and Jack Bruce, who appealed to me because he was also playing melodies with a vengeance.”) Phil Lesh, from the Grateful Dead checks out the Pigtronix Echolution. The entire rig contained 500 speakers. Get Phil Lesh & Friends setlists - view them, share them, discuss them with other Phil Lesh & Friends fans for free on setlist.fm! Licensed under, Bill Kreutzmann & Mickey Hart (The Rhythm Devils). I image his compositional prowess, and on-the-job-training w/ bass guitar were significant contributions to his unorthodox style of bass playing. Request a custom instrument. Events. EUR Ha, I have to laugh! Bobby Weir's and Jerry Garcia's guitars were done as well. Phil Lesh's Alembic Modified Guild Starfire-"The Godfather" « Reply #60 on: May 06, 2015, 11:45:09 AM » Fascinating info - thanks for pulling back the curtain on … There's no one way to try and capture the Rhythm Devils' sound, but using a simple kit with plenty of folk percussion additions and samples will at least give you a similar palette to work with. By continuing to use Reverb, you agree to these updates, and to our cookie policy. Strange Trip, Pacific Northwest Team. 23.2k members in the grateful_dead community. Phil Lesh (Grateful Dead) Phil Lesh on the Bass Rig prototype Jim Weider (The Band) Pete Sears (Jefferson Starship, Rod Stewart, Moonalice, Bay Area music legend) Das nächste Instrument war ein stark modifizierter Gibson EB3. John Perry Barlow Phil Lesh And Friends Jerry Garcia Band Mickey Hart Great Society Dead Pictures Bob Weir Dead And Company Guitars. To me, bass is meant the be a mix of rythmn and harmony; it is a foundation, so it almost feels a bit off when it tries too hard to take center stage in certain ways. Please check the fields highlighted in red. Robert Szydło bass rig - Irek Głyk Multisound - 17th International Percussion Festival, Opole, 2008 (2008-10-14 20.16.20 by Kuba Bożanowski).jpg 4,288 × 2,848; 7.35 MB Selmer Truvoice Bassmaster 50.jpg 538 × … Both started out playing a Guild Starfire IV, both moved to custom-built guitars in 1974, and both moved to MIDI-equipped instruments in the late 1980s and early 1990s. Lesh enrolled at UC Berkeley to become a music major, but he and a friend, Tom Constanten, quickly became appalled by the music department's tendency to discourage individual creativity. In ’71 the bass player (Spike Daley, now living in Grass valley, CA) in my first all-original band wanted to sound more like Jack Casady (Spike liked Jack, Phil Lesh, John Entwistle, and Rick Danko—good taste), so bought himself a bass just like Jack’s—the Guild Starfire. April 2020. lesh-casady-20150428. This ethereal tone - along with various samples (sometimes of quasars from outer space) triggered by mallet hits and other unusual sounds from drumheads not usually associated with rock - gave the percussion section a primal, mystical and almost tribal feel. Phil Lesh and Friends (commonly referred to as Phil Lesh and Phriends) in 1999 featured Anastasio and Page McConnell, Grateful Dead members Phil Lesh and Donna Jean Godchaux, guitarist Steve Kimock, and drummer John Molo performing three nights of Dead and Phish material at The Warfield in San Francisco. 39: Phil Lesh (Grateful Dead) Grateful Dead’s bassist always sounded exactly like what he was: an experimental composer who learned bass for the sake of joining a rock band. Lineup: Phil Lesh - bass and vocals, John Molo - drums, Rob Barraco - keyboards, Warren Haynes - guitar and vocals, Jimmy Herring - guitar. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends . Kreutzmann was more rooted in a traditional kit than Hart, who often played alternative percussion instruments or used mallets on more traditional drumheads. 1968 und 1969 spielte er einen Guild Starfire Bass, der auch auf dem Album Live/Dead zu hören ist. On Dec. 13, Lesh strapped on his bass once again and performed with his son Grahame as well as Stu Allen to celebrate the Bay Area’s new Sonoma-Marin Area Rail Transit (SMART) train. The entire rig contained 500 speakers. Phil's Bass Rig (Pre-show photo taken from the monitor board) Jerry Garcia. Bill Kreutzmann. Big Brown, Phil Lesh's Bass Guitar. $100. Bob Weir. History Album. Tom Constanten. Jerry Garcia was one of the first, if not the first, major players to tour and record with custom-built guitars. He later committed suicide in 2006. All currently available guitars and basses at Ritter Instruments. Available at dealers. $100, Over Collection, Dead & '73-'74, Cornell Keith Godchaux. This exploratory, active-listening approach naturally led Lesh to pay the same attention to his instrument's tone. He also used a Fender Dual Showman. His Doug Irwin "Wolf" was a regular player until Irwin built him a guitar known as "Tiger," an exquisite 13.5 lbs. Brent Mydland occupied the role for the next eleven years, until he died of a drug overdose. Phil Lesh. Currency: Paul explains how Dave was inspired by Phil Lesh’s rig … To reflect our commitment, we updated our terms and conditions. $30, $30 - In many ways, Phil Lesh's experimentation with custom basses paralleled Jerry's pursuit of tailored hardware in the 1970s. Yes, we know that real Deadheads already know everything there is to know about Lesh's life and times, but hopefully we've come up with five things that will at least surprise some of you. Photo illustration by Jon Tonge.) I believe Phil also has perfect pitch, although yu sure wouldn't know it from his singing! Bass & Guitar models. Ritter Pickups. Keith Godchaux. Hey! Both of them featured Alembic's quad pickup (one output per string) along with two humbuckers. He died the next year in a car accident. Vince Welnick carried the band behind the keyboard until Jerry's death in 1995. Mickey Hart. He toured with them from 1990 to 1992. Instrumente. Given the time period, that bassist was probably Bernard Odum. History Album. Ha, I have to laugh! Anniversary, Dave's With custom circuitry packed into the bass bout and foam packed into the treble bout to fight feedback, this hacked creation paved the way for Lesh's first four-string custom Alembic bass (1973). As a jazz-oriented trumpet player, Lesh developed his role in the band's mix through intuition and listening. Keith Godchaux replaced him at keys until 1979, when drug use forced his departure. Slowly all aspects of the Dead's gear for the road and the studio were becoming "Alembicized!" Phil Lesh and his medium scale Series II 6-string bass. Grateful Dead bassist Phil Lesh as well as guitarist Stu Allen hosted a pair of Thunder & Lightning: Bass Bombs & Ballads! Oops, looks like you forgot something. We spent about twenty minutes discussing everything from bass strings to the challenges – and joys – of raising sons. Source: Most likely these tapes and tapes from this run are either sourced from Schoeps MK4V>KCY>VMS5U>SBM1 & Schoeps MK4V>KCY>VMS02IB>SBM1. Events. Phillip Chapman Lesh (born March 15, 1940) is an American musician. Their lightweight graphite construction made long concerts and grueling road schedules more feasible. Their relationship remains one of the great collaborations in modern music, defining so much of what the Grateful Dead stood for - unity, music as shared power and brotherly love. Here's a member-by-member look at the gear used from 1965 to 1995. Robert Hunter. Like the Grateful Dead's other instrumentalists, Bob Weir took a non-traditional approach to his role as rhythm guitarist, often providing counterpoint to Jerry's lines and playing in a register higher than what convention would dictate from a second guitar. Bill Kreutzmann. Based on your location, we've changed your settings: Shipping Region: Saved by Luna Loo. 1977, 50th In ’71 the bass player (Spike Daley, now living in Grass valley, CA) in my first all-original band wanted to sound more like Jack Casady (Spike liked Jack, Phil Lesh, John Entwistle, and Rick Danko—good taste), so bought himself a bass just like Jack’s—the Guild Starfire. I image his compositional prowess, and on-the-job-training w/ bass guitar were significant contributions to his unorthodox style of bass playing. Keith Godchaux. For effects, he used George Munday's Pluto Pedal, allowing two separate filters to be engaged simultaneously. From there, a modified Gibson EB-3 (1969) preceded what became his main bass for several years: an Alembic-modified Guild Starfire known as "The Godfather." Because of his constant experimentation with custom guitars (and their custom wiring), emulating Jerry's tone isn't as simple as going out and replicating the rig he used. Robert Hunter. When it comes to the gear these two have used over the years, it would take an encyclopedic article to detail all the various noisemakers, hand drums, traditional kits and digital modelers involved. Discover (and save!) Phil Lesh's Alembic Modified Guild Starfire-"The Godfather" « Reply #60 on: May 06, 2015, 11:45:09 AM » Fascinating info - thanks for pulling back the curtain on … Décor, Long Hart joined soon after the band formed and became an indispensable part of the band's sound for the rest of their time together (Garcia affectionately nicknamed them the Rhythm Devils). Ritter Electronics. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. Finishes & Inlays. The Dragon Bass: An earlier Languedoc bass was stolen a few years ago, but was used from circa 1987 through mid-1997. Ted moves on with his tour of Panic’s stage by discussing bassist Dave Schools‘ rig with tech Paul Agostino. Dan notes, “Phil arranged for my wife and me to come backstage during their intermission. Moving forward, it became a regular touring instrument for Grateful Dead shows (including the Fare Thee Well tour). He just knows how to hit it together and make it sound right. He is an absolute gentleman and a new friend. Before settling on Irwin's creations, however, he played a Guild Starfire (1965-67), a couple P-90-equipped Les Pauls (1967-68), and a Bigsby-equipped Gibson SG (1969). Phil Lesh. Tom Constanten. Also, Phil Lesh plays them, and Mike is a major Phil admirer." Lesh’s bass stack alone was 32 feet high. Jerry Garcia. In this episode, we catch up with longtime Brooklyn musical fixture Eric Krasno who has co-founded funky jam outfits Lettuce and Soulive, played bass and guitar with Tedeschi Trucks Band and Phil Lesh and Friends, and has written/produced with diverse artists like … His custom Alembic also used Munday's circuitry internally. After a brief stint with a Rickenbacker 365, Bob played a Guild Starfire IV during the early years (1965 - 1967), though he sometimes played a Fender Telecaster as well. Phil's Bass Rig (Pre-show photo taken from the monitor board), 7" Singles Games, Furniture & More, Recreation & Keith Godchaux. Bob Weir. Omakase. your own Pins on Pinterest Bill Kreutzmann. The Phil Lesh Eye of Horus is a 6-String Jupiter with a custom String Spacing and the Ritter Quattrobucker pickup. Bob Weir. Jerry's rig and Bob's rig evolved in tandem, highlighting a sort of sonic and aesthetic symbiosis. Contemporaries such as Casady, Bruce, James Jamerson and Paul McCartney adopted a more melodic, contrapuntal approach to the instrument; before this, bass players in rock had generally played a conventional timekeeping role within the beat of the song, and within (or underpinning) the song's … The 1970s could be considered Jerry's Stratocaster-and-acoustic era, with regulars that included a Martin D-18, a '63 Fender Stratocaster and a natural finish '57 Fender Stratocaster (known as the "Alligator" in reference to a sticker it wore) he got from Graham Nash. By submitting my information, I agree to receive personalized updates and marketing messages about Grateful Dead based on my information, interests, activities, website visits and device data and in accordance with the. With over thirty years, 2,300 shows and twelve band members of history, tracking the gear of the Grateful Dead is like navigating a labyrinth. Phil Lesh (Image credit: Douglas Mason/WireImage) From his early experimentation with active electronics and the Grateful Dead’s colossal “Wall of Sound” PA system to his pioneering work on 6-string bass, Phil Lesh has left a mark on the technology of tone as deep and broad as his band’s headiest jams. Contact. By clicking Subscribe, I agree my data may be used for marketing purposes including email communications and third party marketing. In the late 1960s and early 1970s, however, his main axe was a cherry '65 Gibson ES-335. Phil's signal was quadrophonically encoded (separate signal for each string) and fed to the band's massive Wall Of Sound speaker system, a setup that provided incredible fidelity. The original keyboardist, Ron "Pigpen" McKernan, died in 1973 as a result of alcohol abuse (he was joined for a time from 1968 - 1970 by Tom Constanten). Bass Amps Bass Guitars Vintage Guitars Grateful Dead Cool Guitar Good Ol Percussion Instrumental Music Stuff. With each decade and lineup change, however, the band's rig evolved. Join over 5,000 live music lovers who receive our free daily jam newsletter and score 15% off a new tee or hoodie in our store! Learn More, Photo by Warner Bros. Records. Today we celebrate the birthday of one of rock's most enduring bassists: Phil Lesh, who's been playing bass for The Grateful Dead as long as they've been The Grateful Dead. A safe place for everyone who's Dead to the core. During the band's meteoric rise in the 1970s, Hart and Kreutzmann played matching five-piece rosewood Sonor trap kits. Bill Kreutzmann. Please try again later. Ron "Pigpen" McKernan. After McKernan, the Dead got huge. (Above [L-R]: Chris Robinson and Phil Lesh at the Fox. Phil Lesh Alembic Miniature Bass is truly remarkable. Phil Lesh. 39: Phil Lesh (Grateful Dead) Grateful Dead’s bassist always sounded exactly like what he was: an experimental composer who learned bass for the sake of joining a rock band. custom creation that became his main axe from 1979 to 1990. Tom Constanten. The band was one of the first (James Brown's band is another) to have two drummers playing together on nearly every song. Lesh’s bass stack alone was 32 feet high. News of Lesh’s back issues emerged in August 2019, with Lesh cancelling a batch of festival dates and eventually postponing his traditional Phil-O-Ween run at The Capitol Theatre. Ron "Pigpen" McKernan. Future Zone. Kreutzmann - along with Garcia, Weir and Lesh - is one of the four members to have played every show over the band's 30-year career. Bruce Hornsby also played keys with the band, even though he was never officially a part of the Grateful Dead. Germany, Lesh spent his early years using Fender Dual Showman amps. Ron "Pigpen" McKernan. Nov 27, 2016 - This Pin was discovered by Lynton Cox. One alternative instrument that has to be mentioned is "The Beam," an 8 ft. aluminum beam strung with 13 piano bass strings all tuned to D. It was initially devised for use on the Apocalypse Now soundtrack, on which Hart and Kreutzmann played. Bass & Guitar models. Ritter Electronics. The Dragon Bass: An earlier Languedoc bass was stolen a few years ago, but was used from circa 1987 through mid-1997. In 1974, he worked with Ibanez to develop a custom 2681 model, a guitar that - like Jerry's Doug Irwin creations - became his signature guitar for the next decade. Mickey Hart. Company, Stickers & Here's a member-by-member look at the gear used from 1965 to 1995. Picks, Dead Omakase. Financed by the acid king’s illicit fortune, it was the biggest PA ever built. Phil and Dan met (photo) at the June 22 “Phil Lesh & Friends” show in Gilford NH. He was one of the founding members of the Grateful Dead , with whom he played bass guitar throughout their 30-year career. Phil Lesh's gear and equipment including the Fender Jazz Bass, Alembic Spoiler Bass, and Gibson EB-3. Ritter Pickups. Lesh’s amplification and effects use runs in concert with his ever evolving use of the bass itself. His first bass was a "Memphis" brand Precision bass copy, but he quickly upgraded to a salmon-colored four-string Fender Jazz bass. Their new sound system, known as The Wall Of Sound, was an outrageous monolith designed by Owsley. He also used an Alvarez Yairi WY-1 acoustic, a model which is still produced today as his signature model. After several more experimental designs, both Phil Lesh's and Jack Casady's hollow-bodied Guild basses were renovated with new low-impedance pickups and new active electronics. Phil briefly started out playing a Gibson EB-0, but eventually switched to a Fender Jazz Bass in 1968. Q. You’ve played with a wide variety of bass players throughout your career ranging from those categorized as — please excuse the labels — more jazzy (for instance, a Tony Saunders), more funky (e.g., a George Porter), “classical” (Alfonso Johnson), melodic (Phil Lesh), etc. The Grateful Dead have always toured with at least one keyboardist, though the role has been filled by many musicians due to tumultuous circumstances. As the ‘Dead’s live sound evolved, so did Lesh’s rig. Mickey Hart. His mainstay effects included a Mu-Tron III (his original sold on Reverb in May 2015), a Mu-Tron Octave Divider, a Vox (sometimes Colorsound) wah, and an MXR Analog Delay. Simpler than the Modulus, it had five strings "with an inlay of an asian-style dragon in mother of pearl on the headstock. Lesh was an innovator in the new role that the electric bass developed during the mid-1960s. In the mid-1980s, Bob starting using a Modulus Blackknife, around the same time that bassist Phil Lesh switched over to Modulus instruments. Phil didn't take up bass until the mid-60's, when Jerry asked him to join the Dead. Dead And Company Music Express Good Ol Grateful Dead Cool Guitar Music Instruments Big Brown Bass Guitars Gd. Simpler than the Modulus, it had five strings "with an inlay of an asian-style dragon in … Ron "Pigpen" McKernan. It drove the band’s crew mad, but for a while they persevered. Unable to process your request at this time. With Jerry, Bob and Phil all approaching their instruments in unique ways, it's no surprise that the Grateful Dead's percussion section was also precedent-setting. He had never played bass much before joining the Grateful Dead, though he was an extremely talented composer and musician. Bob continued to use the Modulus and a Casio PG-380 (MIDI-compatible) throughout the last years of the Grateful Dead's touring career. Phil Lesh's began playing the trumpet when he was fourteen years old, having grown up being exposed to jazz greats such as John Coltrane and Miles Davis. Finishes & Inlays. Robert Hunter. Ted moves on with his tour of Panic’s stage by discussing bassist Dave Schools ‘ rig with tech Paul Agostino. The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.. And since we’re entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! Also, Phil Lesh plays them, and Mike is a major Phil admirer." He also began to develop a unique playing style high on the neck, adding counterpoint lines and melodies to the band's material which are not typically heard in traditional "rock" music. Available at dealers. Robert Hunter. 2 Available instruments. As far as amps and effects go, Jerry kept it relatively simple, using a silverface Fender Twin for much of the 1970s and a Mesa Boogie Mark IIa later on. Future Zone. Phil didn't take up bass until the mid-60's, when Jerry asked him to join the Dead. Phil Lesh begann mit einem Gibson EB0 Bass, von dem er dann zu einem Fender Jazz Bass wechselte. Your purchases also help protect forests, including trees traditionally used to make instruments. Phil Lesh Alembic Miniature Bass Details: Condition: Brand New Item SKU: SS-AXE-PL-408 Product information Product Dimensions 11.4 x 3.7 x 7.5 inches Item Weight 6.1 ounces Manufacturer AXE HEAVEN ASIN B06Y3DKSGJ Item model number They mostly used a variety of Zildjian cymbals, though kit additions from Slingerland, Gretsch, Yamaha and Ludwig weren't uncommon. From there, a modified Gibson EB-3 (1969) preceded what became his main bass for several years: an Alembic-modified Guild Starfire known as "The Godfather." Your purchases help youth music programs get the gear they need to make music. In this episode, we catch up with longtime Brooklyn musical fixture Eric Krasno who has co-founded funky jam outfits Lettuce and Soulive, played bass and guitar with Tedeschi Trucks Band and Phil Lesh and Friends, and has written/produced with diverse artists like … Phil Lesh Amps An illustration of The Grateful Dead’s live sound rig (aka Wall of Sound), circa 1974. Thanks to Jeff T. for the tapes. Phil's Bass Rig (Pre-show photo taken from the monitor board) Jerry Garcia. With each decade and lineup change, however, the band's rig evolved. While Doug Irwin built for Phil as well, he mainly used Alembic and six-string Modulus basses for the rest of his years with the Grateful Dead. 2 Available instruments. search forums Created in 2004 this collection consists of both audience and soundboard recordings. I believe Phil also has perfect pitch, although yu sure wouldn't know it from his singing! & Company, Under Another Irwin custom, "Rosebud" was Jerry's go-to during the final years before his death in 1995. The Phil Lesh Eye of Horus is a 6-String Jupiter with a custom String Spacing and the Ritter Quattrobucker pickup. Online site of the Grateful Dead Archive at University of California, Santa Cruz. From 1974 onward, he almost exclusively played custom creations from Doug Irwin, with some experimentation with Travis Bean guitars (TB-1000A and TB-500) in 1975 and 1976. He has, however, played with the Other Ones (a former member side project) and took his place at the keyboard during the 50th Anniversary Fare Thee Well tour. 23 votes, 10 comments. Team. Unable to process your request at this time. (Above [L-R]: Chris Robinson and Phil Lesh at the Fox. Phil Lesh. Phil Lesh (Image credit: Douglas Mason/WireImage) From his early experimentation with active electronics and the Grateful Dead’s colossal “Wall of Sound” PA system to his pioneering work on 6-string bass, Phil Lesh has left a mark on the technology of tone as deep and broad as his band’s headiest jams. Photo illustration by Jon Tonge.) The original line-up of Jerry Garcia (guitar, vocals), Bob Weir (guitar, vocals), Phil Lesh (bass, vocals), Bill Kreutzmann (drums), and Ron McKernan (keys) was still finding its stride. Traditional drumheads from 1965 to 1995 used to make instruments and Gibson EB-3 Dave Schools ‘ rig with Paul. As guitarist Stu Allen hosted a pair of Thunder & Lightning: bass &! They mostly used a variety of Zildjian cymbals, though he was one of the first major. Player, Lesh developed his role in the early 1970s active-listening approach led..., Yamaha and Ludwig were n't uncommon - this Pin was discovered by Lynton Cox nov 27, 2016 this. 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